Elisa Verzier soprano
Born in Trieste, she began studying piano very young, then she graduated in lyric singing at the
Conservatory of Trieste. She joined courses and masterclasses held by Fiorenza Cedolins and
Patrizia Ciofi, with whom she is currently studying.
She debuted in 2016 in Mendelssohn’s A Midsummer Night's Dream conducted by Gelmetti at the
Teatro Verdi in Trieste, where she is also Serpina in Paisiello’s Serva Padrona (Pinto/Cecchi).
In 2017 she sung the title-role in Piccinni’s La Cecchina in Teatro Mario del Monaco in Treviso.
In concert she performed Mozart’s Krönungsmesse, various sacred repertoire by Pergolesi,
Schubert, Bach, Händel’s Messiah and John Rutter’s Mass of the children.
In 2021 at Teatro Verdi in Trieste she sung Annina in Verdi’s La traviata in Teatro Verdi in Trieste
(and covered Violetta) and Berta in Rossini’s Barber of Seville.
In 2022 she debuted in Trieste as Norina in Donizetti’s Don Pasquale (Gianola/Marras), reprised
also in Pisa, then as La Contessa in Salieri’s La scuola de’ gelosi at Teatro Regio in Turin
She is winner of the “Vicenza in lirica” prize at Ottavio Ziino Competition 2021 in Rome, the 1st
edition of the Lyric Competition Bellini in Catania and the 73rd edition of AsLiCo competition in
Como for the role of Donna Anna in Mozart’s Don Giovanni, role debuted with acclaimed success
in the theaters of Como, Brescia, Pavia and Cremona (Bisatti/Martone).
As member of ensemble of Deutsche Oper Berlin, she played several roles in Season 2022-2023
such as Frasquita in Bizet’s Carmen, Berta in Rossini’s Barber of Seville, Zerlina in Mozart’s Don
Giovanni and Musetta in Puccini’s La bohème.
Recently she debuted as Countess Almaviva in Mozart’s Le nozze di Figaro, under the baton of
Beatrice Venezi and with the staging of Michele Mirabella at Teatro Bellini in Catania, where she
plays also Händel’s Messiah conducted by Marcus Bosch.
Plans include Pamina in Mozart’s Die Zauberflöte for the AsLiCo circuit, then her debut at La Scala
Milan as Tebaldo in 2023-2024 Season Première Verdi’s Don Carlo, conducted by Riccardo
Chailly, and Musetta in Puccini’s La bohème at Deutsche Oper Berlin.