Elisa Verzier soprano
Born in Trieste, she began studying piano very young in her hometown, then she graduated in lyric
singing at the Conservatory of Trieste. Then she studied with reknown opera singers such as Fiorenza
Cedolins and now she is studying with Patrizia Ciofi.
Her debut took place in 2016 at Teatro Verdi in Trieste in Mendelssohn’s A Midsummer Night Dream
(Gelmetti conductor). In this theater she is, subsequently, Serpina in Paisiello’s La Serva Padrona
(Pinto/Cecchi).
In 2017 she plays the title-role in Piccinni’s La Cecchina, ossia la buona figliuola at Teatro Mario del
Monaco in Treviso (De Nadai/Bellotto).
In 2019 she joined the production of La diavolessa by Galuppi, staged for the Festival “Vicenza in
Lirica” at the Teatro Olimpico in Vicenza, where she sung also Bach’s Magnificat conducted by M°
Francesco Erle.
In concert she sung Mozart’s Krönungsmesse (Brusa conductor), several sacred repertoire by
Pergolesi, Schubert, Bach, Händel’s Messiah and John Rutter’s Mass of the children.
In Trieste she is Annina (and Violetta’s cover) in Verdi’s La Traviata and Berta in Rossini’s Barber of
Seville (Quattrocchi/Luconi).
In 2022 she debuted in Teatro Verdi of Trieste as Norina in Donizetti’s Don Pasquale (Gianola/Marras),
with performances also in Pisa, then at Teatro Regio in Turin as Countess in Salieri’s La scuola de’
gelosi (Nägele/Renshaw).
In 2021 she won the “Vicenza in Lirica” prize at the Ottavio Ziino competition in 2021 (Rome), the
first edition of the competition “Voci belliniane” at Teatro Massimo Bellini in Catania and the
international competition AsLiCo for the role of Donna Anna in Mozart’s Don Giovanni with
performances in Teatro Sociale of Como, Teatro Grande of Brescia,Teatro Fraschini of Pavia and in
Ponchielli of Cremona (Bisatti/Martone) with acclaimed success.
She is member of the ensemble of the Deutsche Oper Berlin for the Season 2022/23, where she has
the opportunity to sing several roles, including Frasquita in Bizet’s Carmen, Berta in Rossini’s Barber
of Seville, Zerlina in Mozart’s Don Giovanni and Musetta in Puccini’s La bohème.
Recently she debuted the role of Countess Almaviva in Mozart’s Le nozze di Figaro, under the baton
of Beatrice Venezi and staged by Michele Mirabella in Teatro Massimo Bellini in Catania, where she
will shortly sing Händel’s Messiah.